Ram's Head Snuff Mull - 42nd Royal Highland Regiment of Foot

So many of the 1500 photographs I took in the UK for our recently released book, “Crimean Memories: Artefacts of the Crimean War,” were unusual, with interesting histories, but this snuff mull is one of my absolute favorites. It is a silver mounted ram’s head snuff mull, which had a home in the Officer’s Mess of the 42nd Royal Highland Regiment of Foot until the Crimean War.

The Crimean War took place between 1854 and 1856, primarily on the Crimean Peninsula in today’s Ukraine. Imperial Russia had for some time been exhibiting expansionist ambitions which were threatening established trade routes to India. Under what was perceived as a veiled attempt to further these ambitions, Russia invaded parts of the Ottoman Empire (Turkey). Britain, France, and eventually Sardinia joined Turkey and declared war on Imperial Russia.

The 42nd Royal Highland Regiment of Foot, more commonly known as The Black Watch, landed at Kalamita Bay in the Crimea in September1854, as part of the Highland Brigade, 1st Division, of the English Army of the East. Their battle honours include Alma, and the Siege of Sevastopol.

The snuff mull in this photograph is the head shoulders and horns of a ram, and is about two feet square. It currently rests in a fine case in The Black Watch Museum, Perth, Scotland, where we found it. It was originally in the 42nd Regiment Officers’ Mess, and contained snuff in the round silver jeweled tray on its top between the horns. There was a ritual-like ceremony attached to the snuff use that each officer was bound by mess tradition to follow.

According to the Black Watch Museum records, this particular mull was brought to the Crimea by the Highland officers to be used in their mess, but upon arrival, they found no source for proper snuff. Thus, the commanding officer used the snuff mull as an inkpot. On close examination you can see the ink stains inside the round tray on top of the mull.

After the war, the mull was lost. It literally disappeared for 75 years. It was found under odd, but interesting circumstances. There is now a silver plate added on the front of the snuff mull which reads: “This Black Watch snuff mull was discovered in a saleroom by H.M. Queen Mary who presented it to the Black Watch in 1932.”

Thus, this superb artefact found its way to its rightful home, and I found an amazing story to attach to my photograph of this noble creature. There’s something endearing about the way he is looking at you – almost as though he’s looking across the ages.

This artifact was photographed courtesy of The Black Watch Museum, Perth, Scotland.

The first in the Ian Carlyle Series.

What on earth possessed me, a Yank, to write for my debut novel a book about the Crimean War, a very British war – not well known in the US.  Actually it didn’t start out that way. My original thought was to write about British observers in the American Civil War on General McClellan’s staff. There were about a dozen of them.

I began writing about these Civil War observers, but it soon dawned on me that they received their combat experience, and became the fine officers they were, in the Crimea, six years before our Civil War. I decided that the setting for the first novel must be the Crimea. I would bring my characters into the American Civil War in the sequel. The Crimean War then became my passion, my obsession, if you will.

Through the next three years of research I made numerous visits to the UK, and two trips to the Crimean battlefields.  After a ton of hours at the Scots Guards archives at Wellington Barracks, London; Eton College; and various amazingly beautiful places in Scotland; I finally felt I could put pen to paper … or more precisely finger to keyboard.

Actually, people know more about the Crimean War than they may realize. For instance, the Charge of the Light Brigade – Florence Nightingale, the lady with the lamp – the ‘Thin Red Line’. These all came out of the Crimean War. It took place at the height of the reign of Queen Victoria, and was primarily fought on the Western coast of the Crimean peninsula (present day the Ukraine), between 1854, and 1856.

The war’s origins are shrouded in political mystery and intrigue, ranging from somewhat bogus religious reasons to the expansionist doctrine of the Russian Czar, Nicholas I, in an effort to gain free access (A warm water port)  between the Black Sea and the Mediterranean Sea. The spark which caused the feces to hit the fan was when Russia invaded the then Ottoman (Turkish) Empire.

Britain and France, the most unlikely of bedfellows, came to Turkey’s aid, supported by Sardinia. Although a Turkish Army basically forced Russia back across her borders, the people and governments of Britain and France felt strongly that Russia needed to be taught a lesson. Thus in September 1854, a combined allied army landed on the Crimean peninsula. Their mission was to capture Sevastopol and sink the Russian Black Sea fleet harbored there.  Their long term strategic goal was to stop Russia from ever again entertaining ideas of expansion in the Mediterranean.

The Russians sunk a major part of their own fleet to block the harbor to British and French ships, and it took the allied army, at great cost, the next two years to ‘capture’ Sevastopol. In the end, the Russians merely evacuated the city in good order, and left it to the British and French.

I think a writer must follow his instincts and above all his passion. I guess my original intent was that “Follow Me to Glory” would be a prequel to the major American Civil War work, but as I researched and wrote, Ian Carlyle’s owing up adventures and his Crimean combat experiences took on their own character and importance.  Thus, it is a prequel in the sense that it is the first in the Ian Carlyle Series, where his character comes of age as a man, then as an officer in the caldron of war.  The sequel, “The Gettysburg Conspiracy,” brings Ian Carlyle, now a seasoned veteran, into the American Civil War. There will also be at least a third in the Ian Carlyle series. I am determined, however, that each book will be of equal importance, and each will stand alone as a story in itself.

I did ponder the idea of making the setting for the series in a different era, but there is such a strong connection and impact between the Crimean War and our Civil War (only a few years apart) that I doubt there is any other period or set of wars which would so readily lend themselves to my vision.

I have always been mesmerized by this simpler Victorian age. Where they were more gentle and genteel among themselves, yet still using terribly blunt linear tactics when throwing armies at one another head-on. The lines drawn in cultural values, and in war, seem to me clearer than more recent conflicts. Of course, there’s that passion of mine for the 19th century. I couldn’t very well ignore that, could I?